Video ads, scene by scene, without a shoot.
Pick a product and a length, cast the presenter who fronts it, and Wisry writes the script against your product facts and renders the cut in 4K at 15, 30, 45 or 60 seconds. One locked identity carries every scene. You review each one before it ships and retake any single scene on its own.
15-60s
standard lengths, each scripted to its own shape before a frame is rendered
4K
render tier included on the Studio plan, not an upgrade and never watermarked
Scene-level
retakes: regenerate a single shot without paying to rebuild the whole cut
One identity
locked across every scene, and verified line by line as the cut renders
How it works
Pick the product and the length.
Start a project, choose the product, and set the runtime: 15, 30, 45 or 60 seconds. Length is a creative constraint rather than a trim decision, so it is settled before a word is written. Both choices shape everything downstream.
Cast the character who fronts it.
Set appearance, age, hair, build, wardrobe and setting from guided chips, or write the brief yourself, and Wisry generates a portrait. Refine it in plain language until it is right; that identity then locks for every scene.
A script you can actually edit.
Pick a script direction and the scene filmstrip assembles beneath it. The script arrives as editable text written against your product facts and brand voice. Change a line, cut a scene, reorder the beats before anything renders.
Scenes render, then you review them.
Scenes render one at a time onto a review strip. Every line is checked for identity, transcript accuracy and claim safety before it ships, and any scene that missed can be retaken on its own at partial cost.
Publish the cut to Meta.
The finished cut renders in 4K with captions burnt in, then publishes into a Meta ad set from inside Wisry, grouped with any statics built from the same angle, so every result maps back to one idea.
One face, locked, across every scene.
A video ad falls apart the moment the person on screen changes between shots, which is why Wisry makes the character the second decision rather than an afterthought. You set appearance, age, hair, build, wardrobe, vibe and setting through guided chips or a written brief, and the generated portrait becomes the locked identity every scene inherits. Refinements are conversational: ask for shorter hair or a warmer wardrobe and the change is scoped to that instruction, then identity-verified server-side, so a refinement that would break the likeness is refused rather than shipped, and your current portrait stands. Presenters you like are saved to a workspace library and reused across projects, so a brand builds a small recurring cast instead of meeting a stranger every time it makes an ad. Familiarity is worth something in a feed, and here it costs nothing extra.
- Appearance, age, hair, build, wardrobe, vibe and setting, from guided chips or a written brief
- One locked identity carried through every shot and verified line by line as the video renders
- Refine in plain language; a change that would break the likeness is refused, not shipped
- Portraits you keep are reusable across projects from a shared workspace avatar library
Argue with the words before you pay for the pixels.
Every expensive mistake in video production is, underneath, a script mistake that nobody caught early enough. Wisry puts the full script in front of you as editable text, split into the scenes it will become, written against the product facts on file rather than a general impression of your brand. The structure it starts from is not invented either: the research agent reads the video ads running in your category on Meta and TikTok (what the opening frame shows, how fast the cut rate is, when the product enters, how the offer lands), so your script inherits a shape that has already survived contact with your buyers. Rewrite a line, delete a beat, move the offer earlier, or send the whole thing back for another pass. Changing your mind should be free until the moment it genuinely isn't, and teams that review the script properly ship better first cuts and fewer of them.
- Scene-by-scene script, editable line by line, before a single frame is generated
- Copy is written against your own product facts, so every claim in the cut stays defensible
- Competitor video ads are read for hook, pacing and offer structure before drafting starts
- Brand voice comes from brand memory, not from a tone dropdown you reset on every project
A filmstrip, not a black box with a progress bar.
Scenes are produced one at a time and land on a review strip with the script line each was built from sitting beside it. You watch the cut in order, and when scene four is wrong, you fix scene four. All-or-nothing regeneration means every attempt to repair a bad shot risks breaking the shots you already liked; a partial regeneration costs a fraction of the whole video, so you are never choosing between shipping a mediocre cut and starting the whole thing over. Each line is also gated before it ships: the character has to still look like the character, the spoken line has to match the script, and the claim has to hold against your product facts. So your review is targeted at the shots that actually need you rather than spread evenly across a minute of footage.
- Every scene is reviewable in place, against the exact line of script that produced it
- Retake a single scene at partial cost instead of paying to re-render the whole video
- Identity, transcript and claim-safety gates all run per line before a take is accepted
- Product imagery comes from your own catalog, so what's on screen is what actually arrives
Finished means live, not downloaded.
A rendered MP4 sitting in a downloads folder is not an ad, however good it happens to look, and the gap between the two is where most video programs stall. Wisry takes the approved cut, groups it with the statics built from the same angle, and publishes the set into a Meta ad set without leaving the product. No export, no zip file, no re-upload. Captions are already burnt in and the cut is sized for feed and vertical placements, so nothing needs a finishing pass in a second tool before it can go live. The angle each creative belongs to travels with it, so when the numbers arrive you learn which hypothesis was right rather than which filename was. A video that wins in isolation teaches you nothing you can repeat; a video that wins as a labeled test teaches you what to make next, and that is the part that compounds. Google campaigns run from the same workspace and the same credit balance.
- Publish video and static built from one angle into the same Meta ad set, together
- Angle attribution survives the handoff, so results answer the question you actually asked
- Optimization agents shift budget toward whichever creative is earning it, continuously
- Fresh cuts are queued from the same evidence pool as soon as the running set starts to fatigue
Built for people who have to ship ads, not decks.
Retake one scene, keep the rest
Most video generators are all-or-nothing: you dislike four seconds and you pay to rebuild sixty. Wisry treats a video as a set of scenes, so a bad shot is a bad shot: regenerate it alone, at partial-scene cost, and drop it back into the same cut without touching the pacing you already approved. It is the difference between an editing tool and a slot machine.
Captions that don't need a second tool
Captions are generated with the script and rendered into the video, styled to your brand rather than a default template. Most feed video is watched muted, so this is not a finishing touch. It is where the ad does most of its persuading, and it is the first thing a rushed export gets wrong. The presenter speaks the same lines, in a voice you pick, for everyone who has the sound on.
Four lengths, one workflow
15, 30, 45 and 60 seconds are separate scripts written to their own shape, not one long cut trimmed down. Run the same angle at two lengths and you get two genuinely different ads to test against each other, rather than one ad and its own trailer competing for the same impressions. Short wins more often than people expect, including in categories where the product seems to need explaining.
The same credits as everything else
Studio's 1,216 monthly credits cover roughly five 60-second videos if you spend them all here, and shorter cuts cost proportionally less. There is no separate video plan, no per-seat video license and no minute bundle to run down before the month ends. Unused credits go into research or statics instead of evaporating.
Your first cut is one store URL away.
Paste your link, pick a length, and watch the script and scenes come back, built from the video ads already winning in your category, with the sources attached.